The ofrendas set up in the Zócalo for Día de los Muertos were massive—far beyond the small, personal altars you usually see in homes. An ofrenda is meant to welcome the spirits of the dead back to the living world, built with offerings like marigolds, candles, photos, food, drinks, and objects the person loved in life. In the Zócalo, that idea is scaled up to a civic level. Entire sections of the square were filled with towering installations, each one layered with symbolism, color, and detail. It felt less like a single altar and more like walking through an open-air gallery dedicated to memory, ritual, and the very public way Mexico honors its dead.
Just outside the Zócalo, we came across a flower carpet, or alfombra. These temporary works of art are made from flowers, colored sawdust, and natural materials, laid directly on the street. Like the ofrendas, they’re meant to be fleeting—created to be walked past, photographed, and eventually disappear. This one stretched on for a blocks dense with color and pattern, a quiet counterpoint to the scale and spectacle of the Zócalo installations.
And speaking of counterpoints: the Zócalo ofrenda in the distance, the Mexican flag nearly fully unfurled, Palacio de Hierro—Mexico’s upscale department store—standing off to the side, and, at street level, an active protest cutting through the same space as the flower carpet. Celebration, commerce, remembrance, and dissent, all sharing the same few city blocks.















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